Citizens of Yeah – People’s Republic of YEAH Delivers Lo-Fi Complexity and Sonic Depth – ALBUM REVIEW

With an elaborate production and intriguing lyrics, the latest album from Citizens of Yeah showcases a project pushing itself towards sonic greatness.

Citizens of Yeah is a musical project based in Ryton, nestled within the Tyne Valley, that has begun to build a reputation for their lo-fi yet complex production.

Over the course of the last few years, the project, led by Jonathan Womack, has slowly released a number of deeply intrguing singles and an album, Thermonuclear Warmth, back in 2023, combining strong songwriting with thoughtful bedroom production.

This is something which hasn’t changed with the release of the sophomore album, People’s Republic of YEAH, which once again places a strong emphasis on production – something that has been carefully considered throughout the ten track LP.

The unique production is evident from the first track, God is my right, where the listener is immediately greeted by crunchy guitars and massive-sounding drums. Lyrically, the song confronts wealth and empire, with an emphasis on taking lessons from the past – something that forms the refrain in the chorus.

The overall tone and vibe of the track reminded me of something from Blur’s 2003 album Think Tank, with a little bit of post-punk thrown in. The production comes across as both shabby and well-put together, maintaining a lo-fi mood that hides the production’s hidden complexities.

Kimberella has a touch of Radiohead to it, with pianos added to the mix. The track combines beautiful, twinkling synth bursts within the chorus before adding some crunch later on through the guitars.

These vibes continue into song 3, Lying on the tarmac, with its dark humour interwoven throughout its lyrics. The track’s long and winding melody acts as a complex path through the song, culminating in the chorus with its sharp lyrics.

Battenburg uncertainty principle switches up the vibe, bringing in huge-sounding guitars that add a lovely crunch to the track. This brings a ’70s rock feel, especially when combined with the trademark lo-fi production. Guitar lines are often left hanging and are messy in all the right ways, bringing a loose feel that gives the song a different twist.

The complex bridges see the distortion turned off in favour of twinkling, plucked guitar lines, illustrates Womack’s talent as a technical guitarist and a production master.

The bass is also a huge element of this LP, something particularly evident on the track Survival of the fittest, which pushes the bass to the forefront of the production. The result is a strong groove that runs throughout the record.

Under a lion’s head once again gave me Think Tank throwbacks, especially with the twinkly beginning, before heading down a more folk-inspired direction with intricate guitar lines that could have featured in a Bob Dylan track.

Next up is 3 Little Piggies, featuring fellow North East group Amateur Orthologist, whom we reviewed back in October. This track served as the lead single for the LP, and we previously reviewed it in detail last year. Within the context of the album, the song shines even more.

War Dogs keeps up the tempo with gorgeous guitar lines decorating the ends of each verse, whereas Theme song for episodic espionage caper brings a larger production to the table with a spy-themed twist.

The production uses brass-inspired synths to strong effect, giving the song a grand feel, and even includes a small melodic nod to James Bond at the end of the track, which I thought was a nice touch.

The epically named Orpheus and Eurydice is heavy on the acoustics but carries the same large-scale production from the previous track. It incorporates ghostly backing vocals and a fuller- bodied acoustic sound, which grinds to a halt for the chorus before building up again.

It is a fitting closer with a great feel, the emotion of the performance bleeding through. Overall, this is a strong sophomore effort with a lot of care and attention to detail. If you like your lo-fi indie, make sure to give it a try.

Specky Cult Unleash a Bold New Sound with Their Explosive Single “Swish” – Single Review

Specky Cult are back, with a whole new sound and bold punk inspired direction on their latest single Swish.

Gone is the acoustic feel of previous releases, replaced by a punchy, full-bodied sound that immediately grabs you.

The Sex Pistols feeling bass riff which greets you at the beginning of the song sets the theme for the more full-bodied sound that the band has gone for, setting the tone for the rest of the track.

This is immediately joined in the mix by heavy and thumping guitars, which the song’s catchy melody is constructed from.

Lying over the top of this is a set of lyrics which take aim at the current beauty standards and the impact they have upon individuals.

These are delivered with the emotion and personality that you’d expect from a Specky Cult, with the group continuing to build their reputation for strong lyricism.

Add to this a catchy and memorable melody, which reaches its glorious climax during the chorus and you have another great single from Specky Cult, which highlights a different side to the group.

If you’re a fan of indie and post-punk, Swish is sure to offer plenty of thrills and fun. Make sure to also check out their previous album, which I reviewed earlier this year.

The Black Rain & House Proud Bring A Night of Post-Punk Perfection to Sunderland’s The Ship Isis – Gig Review

Friday night saw The Ship Isis in Sunderland play host to a great night of live music as post-punk band House Proud and gothic group The Black Rain took to stage to showcase the genre at its very best.

The gorgeous venue was a perfect choice for the evening, offering a selection of great craft beers and a warm, friendly environment. I’d never been before, but I’d definitely return if I’m ever in Sunderland.

The night was opened by House Proud, who hail from all across the North East. Their blend of post punk and noise rock was excellent and really got the night started in the right way.

Their sound carried influences from post-punk groups like The Chats, Squid, and Shame, with angular riffs and an energetic tempo driving their performance. Each track stood out with careful composition, crafted from an array of different guitar pedals that brought a near studio-quality sound.

Their third song, Farmers Village, soon to be released as a single, had shades of post-punk titans IDLES to it and was a particular treat. Recent single Rescue Dog finished the set off in the right way, sounding a bit like South London’s Shame, but with an even heavier emphasis on riffs and gloriously loud noise.

House Proud – Live at The Ship Isis, Sunderland

I particularly enjoyed Perfect Body, which was more melodic in its approach while still delivering the massive, bombastic sound that dominated their set.

Overall, their performance was amazing, and they will definitely be a band which I will be keeping an eye on going forward.

I also wanted to leave a link to Wearside Women In Need, a domestic violence service the group were raising funds for on the night. They have recently lost their funding, so it’s a worthy cause if you can support it!

Next were The Black Rain, who I previously covered back in March at their gig at the Bunker, where they really impressed me with their gothic post-punk.

Friday was no different with the group putting in yet another excellent performance of starkly dark tracks. The group have been hard at work since March and that could be seen in their performance with various new songs in the set which continue to show why the band are so special.

Despite the stark nature of their sound, The Black Rain‘s set fizzed with energy, with the thumping drums and bass keeping the atmosphere lively.

The bass was particularly impressive, adding depth to the performance, while the guitar lines often served as beautifully intricate embellishments.

However, when the guitar did come to the fore, it was really impressive, often bringing an almost synth-like sound to certain tracks, which was a real treat. Shadows Cry showcased this best, amplifying the gothic feel, reminiscent of Joy Division’s Closer LP.

I also enjoyed the dark ’80s vibe of Regression, which really opens up in the chorus, creating a really nice feel. Glass Box brought a lot of energy leaning more on the side of punk rather than goth which I found really enjoyable.

Overall, both bands put in a fantastic performance, which led to a really enjoyable night showing the various different styles of post punk each performed at a really high standard. Make sure to check them both out!

Social Youth Cult Reach New Heights with Gothic Double A-Side “Black Lipstick/ Different Language” – SINGLE REVIEW

Social Youth Cult deliver their most confident and assured set of singles with their new double A-side offering.

The EP begins with Black Lipstick, which introduces the running voicemail intro that connects both tracks together nicely on the double single.

Care has been taken to give the track a unique production. I particularly enjoyed the drum track, which sounded distant in the mix, giving the song a distinct feel.

Gothic guitars surround this in the mix, drenched in heavy reverb that echoes the early work of The Cure. Decorating all of this are the gorgeous vocals, which bring gravitas to the track and a haunting energy.

Overall, the track emphasises the gothic edge of the group’s music, with dark lyrics and a stark vibe reminiscent of groups like Siouxsie and the Banshees.

The second track, Different Language, buzzes with energy and an almost live style of production, bringing immediacy to the track.

It’s clear that across the two tracks, effort has been made to make the production stand out among their contemporaries. With its sparse yet raw feel, the group succeeds in crafting an intriguing sonic palette to complement their songwriting.

The strong vocal delivery continues in this track, with a touch of Nick Cave in the delivery, especially in the first verse. Lyrically, the track alludes to love turning sour, twisting this theme into a dark and moody vibe.

The guitar work on the track is incredible with a more aggressive approach which complements the overall feel well.

Overall, these latest two tracks from Social Youth Cult find the band continuing to mature and grow to excellent effect.

Social Youth Cult Bring Dark and Gothic Vibes with Debut EP, Memento Vivere – EP REVIEW

Memento Vivere sees Social Youth Cult set out their stall with 14 minutes of distorted gothic post punk.

Across five tracks, the group impresses with tight and well-thought-out songs, which have allowed them to build their name within the North East music scene. Opener Temporary Love sets the scene nicely, highlighting vocalist Shaun Greer’s baritone vocals, which combine nicely with the chorus laden guitar lines. By the time the song hits the chorus, Greer’s vocals hit full croon over a bed of beautifully distorted guitars.

The amazing resonant vocal style is something that continues across the EP, with Greer’s vocals, sounding like a twisted mix of Joy Division’s Ian Curtis and Morrissey (without the problematic connotations). This helps immediately set the dark and moody tone of the record.

You Do It To You has an almost wall-of-sound approach at times with guitars, drums, and bass forming a dark, ominous wall in the chorus. Leaving no decibel untouched, the track shows the band’s diversity and ability to set various different atmospheres with their instrumentation. The guitar solo on the track had echos of Joy Division with its starkness within the mix.

This gives way to Moonlight’s driving bass and guitar lines with verses that feel inspired by groups such as The Killing Joke. The track also features a gorgeous guitar solo illustrating the playing abilities of guitarist Holly Moore and adding a beautiful touch to Moonlight.

The opening of Hollow sees the guitar crash in over the bass line like a wave against a pier upping the energy of the EP. As the chorus hits, Greer bellows, “hollow me vacant you,” continuing the melachonic, heavy tone of the song.

Gone With The Beast concludes the EP by reflecting upon toxic masculinity. Greer’s vocals are almost chant-like in the chorus and continue to gain intensity as the track continues, bringing the EP to a passionate conclusion.

Overall, this debut EP from Social Youth Cult shows promising signs for the future, giving the listener all they could possibly want from a goth group with some excellent post-punk tinged tracks. It is clear why the group is gaining attention in the North East music scene and are very much ones to watch as they continue their musical journey.

Marrapalooza 2024: A Sun-Drenched Celebration of DIY Music in Ouseburn

Saturday, May 18th, 2024 saw Marrapalooza return to a sun drenched Ouseburn as five familiar haunts played host to a day of DIY music.

The festival, which started in 2023, is a celebration of DIY music, with a range of alternative bands from across the country descending on Ouseburn for a day of live music.

My day started at Cobalt Studios, where I saw Thursday Club, kicking off a great day of live music with a great performance. Combining post punk and hardcore influences, the group raced through an excellent set, which got people on side straight away, setting the tone for the day.

Thursday Club
Thursday Club performing at Cobalt Studios

After taking some time out to enjoy the sunshine, I made my way up the hill to Little Buildings to catch local lads, The Hollows. Clad in immaculate suits, the group somehow managed to deliver an energetic punk set in the stifling heat.

The heavy distortion on the bass on some of the tracks was a nice change of pace, bringing a different flavour to the gig, which allowed them to stand out.

The Hollows performing at Little Buildings

Next to The Cluny, where Straight Girl provided another electrifying set of riotous dance music. I first saw Straight Girl when they supported Dream Wife on their 2022 tour and was treated to one of the best shows I’ve seen from a support artist. It meant that expectations were high and they did not disappoint, showing once again that they are a natural born performer, dragging the audience along with them.

Despite only having a laptop and a few vocal pedals, Straight Girl lit up the stage, bringing a chaotic and charming energy which was infectious. Their set, backed by dark and distorted dance beats, included a few new tracks that sounded great and illustrated that they have evolved even further during their time away. If you get the chance, make sure to check them out.

Next up were Mumbles from Manchester at Little Buildings again. Before seeing them, I didn’t know much about the band. However, they completely won me around with a sensational set of sprawling songs.

The amount of talent which the group possesses is scary, with colourful guitar parts which were absolutely ludicrous at times. These decorated lavish and grand arrangements, which demonstrated the group’s talent for songwriting.

They are very much Manchester’s answer to London’s Windmill scene with creativity oozing out of every line they write.

I then took a walk down the winding stream and under the bridge to Tyne Bar to catch Model Village which provided a completely different vibe in the cleared out beer garden of the famous pub.

With a set of infectious indie pop cuts, powered by synth lines, they got the crowd up and dancing, and provided a soundtrack to the hundred or so nights out, unfolding under the arch.

Other Half performing at The Cumberland Arms

I then took a hike up to The Cumberland Arms perched atop of Ouseburn’s highest reaches for Norwich’s Other Half. This is the second time I’ve caught the group at this venue with both occasions showing the group in fine form.

Fresh from flooding their Travelodge room, the group provided fun, laughs and most importantly an amazing performance with enough distortion to blow your eardrums back down the hill.

Marrapalooza and events like these are incredibly important, with a packed bill of DIY bands powering a DIY festival, which is run for a love of music, rather than a love of profit. They’re always well worth your time, and I had an amazing day out parading around Ouseburn in the sunshine, seeing amazing bands many of which I hadn’t heard before.

Whilst providing culture to the region, events like this are so important to providing a platform for up and coming musicians. The organisers of the event even took a hit to provide Ouseburn with a top class day of music, with the festival ending the day with a £2,000 deficit due to the organisers trying to keep costs down for festival goers.

That’s why it’s so important to support live music events such as this. There is currently a GoFundMe to try and make this a trilogy of events in 2025, which I will leave a link to here and if you get the chance to support an event such as this, make sure you do, you won’t regret it.

Monte Grisa – Resurrection – EP Review

Monte Grisa’s Resurrection EP showcases the Darlington based post punk band at their very best with four meticulously crafted tracks that encapsulate their dark and moody sound.

The EP opens with “A Confession” driven by dark ominous synths reminiscent of groups such as Joy Division during their darker moments. The lyrics repeat a self-deprecating mantra, acting as a nice metaphor for the struggles of having low self esteem and setting the brooding tone for the rest of the record.

Next “Deep” begins with a sharp drum machine section that builds anticipation. The synths enter as the song progresses, accompanied by an ethereal chorus of backing vocals, which act as unheavenly choir enhancing the gothic atmosphere. The track breaks down into an engaging guitar riff, which keeps the listener on the edge of their seat with it’s interesting structure.

The third track “Regression” discusses the declining standards of society, with frontman Josh Cowey expressing his shame and apathy towards it to excellent effect with an introspective set of lyrics.

The excellent “Shotgun” ends the EP with a driving rhythm section and Cowey’s passionate baritone vocals, which bring a beautifully dark energy to the song. The emotion in the vocal delivery, paired with the descending guitar line, creates a compelling finale.

Overall, this EP is an excellent offering and should not be missed if you’re a fan of dark and gothic post punk with deep meaningful lyrics and well thought out, clever song writing which makes the EP well worth a listen. You can check it out here.

Enter the World of The Peevie Wonders – Inside their new single featuring Sam Fender, SXSW experience and their plans for the future!

Freshly returned from their transatlantic odyssey, The Peevie Wonders are ready with new music and big plans for the future.

After a slew of shows in Austin, Texas, the group is back on home soil and ready to continue to build the hype, which has attracted the attention of the likes of BBC Radio One.

I caught up with frontman Mark Wilson to talk about their amazing experiences in the USA, as well as their exciting new track “Big Eczema Energy”, which features a solo from fellow North Shields resident Sam Fender, as well as production from Fender’s bandmates, Joe Atkinson and Dean Thompson.

The track showcases all that is good from the band, bringing big energy and unique lyrics. You can check it out here.

Bringing humour and terrific post punk energy, the track combines the wit and surrealism of bands such as FEET with the infectious energy of groups such as Shame. This addition to the growing catalogue of excellent singles released by the North Shields’ band so far further solidifies their status as ones to watch.

Sharing his thoughts about the new single Big Eczema Energy as well as working with Fender, Thompson and Atkinson, frontman Mark Wilson stated this: “This was the most fun I’ve ever had recording music. They are all good friends of mine, and it was class seeing professional musicians chipping in with writing and production on Big Eczema Energy.

They really brought it to life and helped us out beyond our expectations. It was a real North Shields collaboration. Sam’s solo was pretty much an improvisation, and if you haven’t heard it already, I would have a listen and prepare for a face melting rock n roll experience.”

The track builds upon the group’s influences, which can be heard throughout the group’s music, which mixes excellently crafted tunes with comedic lyrics often about the banality of everyday life. Past targets include the big shop at Morrisons, indie boys and gym lads, with the group delivering a unique twist on post punk.

I asked frontman Mark Wilson, about who and what inspired their uniquely brilliant music:

“Lyrically, artists like Johnny Cash, Tenacious D and John Cooper Clarke have been huge influences in the way they can add humour and make people laugh with the words they choose.

As a young boy, I was obsessed with Spike Milligan’s poetry, it’s so daft and surreal yet the stories spark something inside me that inspires me to this day to write something amusing. I love rough and raw music and The Fall are massively inspiring in how they break rules and the recordings can sound a bit shoddy and home made.

My music taste can only be described as Dad Rock, which isn’t really the sound that I have gone for, but if you break our music down the classical rock elements are all there, hidden beneath noisy guitar riffs and ranty vocals.”

These are all things which can be heard from what the group has put out so far. Since their formation in 2020, the band has gone from strength to strength. I asked Mark Wilson about what made them start The Peevie Wonders:

“I had COVID during the pandemic, and being locked in my room. I started messing around with some guitar ideas, which then progressed into songs. This was the first time I’d ever had vocals on a track, which was a weird experience whilst I was trying to find my voice. I’m still looking! 

I asked Ben, who is my best pal, to get involved and help with some lead guitar. Before I knew it, we were in a rehearsal room playing these songs that were created during my self isolation.

To start with, we had my computer plugged into the PA, which had backing track drums and bass. The hardest part was having to play perfectly in time, and then pause the track at the end of the song.

The natural progression was to get some real humans to join the band. This is where Ollie and Joe were introduced. We practised quite regularly and I was adding new songs in for us to play. Our first gig was in Sunderland at The Independent, we played 5 songs and it was a lot of fun.

The band was started as a bit of a joke, the nature of the songs shows that. The first track I wrote was about people who don’t put butter on their bread when making a sandwich… The lyrical nature has only got more and more ridiculous as the band has aged and this won’t be changing anytime soon.

I have tried and failed to write about more traditional things such as love and relationships but that doesn’t ever come into fruition. I really struggle with that sort of stuff so I may as well write about the things that I have observed and find funny, it’s all I can do really.

I had never expected the music to take us to places such as Texas or BBC Maida Vale studios, and it still blows my mind as to how we have even been invited to have such amazing experiences. It hasn’t been easy and a lot of work has gone into this, but as long as it remains fun and exciting, I want to keep progressing and see what else us idiots can get up to.”

The Peevie Wonders’ unique approach led them this year to be invited to play SXSW festival in Austin, Texas. The group participated in the boycott due to the sponsorship of the festival, however still managed to play some unofficial shows in venues around the city, who supported bands participating in the protest:

“CoCoTexas is absolutely mental, everything is bigger and worse for your health, which for a week was very nice to indulge in. I was crying out for some broccoli by the end of the trip. The reception was great, and we decided to keep the set pretty much the same as our home shows.

We took the dad joke book and the shopping scanner, which both went down a storm. We were playing to a brand new audience every gig so it was integral that we showed off what we are all about and didn’t hold back on any of the performances.

My advice to anyone going over there and playing their music would be to stay true to yourself. People will either love it or hate it, that’s the nature of the game, so you may as well remain unchanged and have fun with it. 

After playing Big Eczema Energy one day, I had a member of the audience pull me aside after the show. They explained that they had been a dermatologist for 20 years in Texas, and we had a lovely conversation about moisturiser and steroid creams. That was fun.”

The group is keen to take advantage of the momentum, they have gained from their US experience. Over the course of the past few years, the band has attracted the attention of BBC Radio 1 and BBC 6 Music as well as a handful of prominent support slots, I wanted to know what the future held for the band:

“We have our debut EP titled “Big Eczema Energy”, which will be 4 and a half songs. I think… That will be a huge box ticked for me, as this was one of my goals at the start of The Peevie Wonders.

The EP has very similar sounding songs on it which I have been very keen to do with very rocky and energetic sounding music, which will hopefully make for a body of work that will soundtrack your morning runs or drive to McDonalds on a Sunday morning.

I also have a few unfinished tracks which I am working on. I really want to write a 7 minute ballad which I’m hoping to sit down and finish, which will probably never see the light of day and is more for my own entertainment. We will see what happens with that.”

In addition to an upcoming EP the group have some exciting gigs in the pipe line:

“We are playing A Stone’s Throw Festival on the 25th May in my hometown of North Shields, and have a few more gigs that we can’t talk about yet. With our debut EP planned for early summer, we will of course be gigging to celebrate that around the North East.”

With all that to look forward to, you can check out The Peevie Wonders’ Instagram here, as well as their new single “Big Eczema Energy” here.

The Black Rain, Breakaway, Even The Tide & Adastra @ The Bunker – GIG REVIEW

On Saturday night, 15th March 2023, The Bunker in Sunderland played host to an exciting lineup of bands across various genres, treating the audience to a memorable night of local live music.

Headlined by post punk group The Black Rain, the night showcased just some of the great talent, that the region has to offer.

Adastra kicked off the night with a mix of originals and impressive covers, delivering them with high energy and confidence. From stellar covers of the likes of All Time Low and Foo Fighters to an incredible rocked up rendition of the Spice Girls’ Wannabe, the group brought electrifying grunge energy to the evening.

Their Spice Girls cover showcased the remarkable synergy within the band, bringing vibrant energy and personality to their set.

The stage chatter between band members highlighted their tight-knit camaraderie, enhancing the overall performance. You can catch them at the The Independent in Sunderland on May 4th at Roulette Fest or at Downcast Studios later that month.

Next on the bill were Breakaway-NE, an indie rock three-piece hailing from Newcastle, who delivered a set filled with bluesy originals.

Featuring stunning guitar work, their set featured recent singles “Whirlpools” and “Secrets” amongst other unreleased tunes such as “Beesting”. The aforementioned track illustrated the bands ability to construct a catchy melody. Having only heard the song once, the chorus is still going around my head days later, which is always a good sign.

The band’s versatility was evident as they seamlessly transitioned between songs, maintaining interest throughout. Notably, the intriguing guitar effects in “Secrets” added a unique touch, while other tracks evoked bands like The Police in their sparse soundscapes and more bass-driven moments. Overall, it was an enjoyable and diverse set from a group of phenomenal musicians.

Breakaway-NE in performance at The Bunker, Sunderland

Next up were Even The Tides, who delivered an amazing set of indie bangers drenched in heart, chorus and reverb. Their set fizzed with energy with incredible guitar lines and some really excellent tunes which came in quick succession.

The group’s sound is akin to a blend of Muse and Sam Fender, characterised by a reverb heavy melodic core complemented with intricate, crunchy riffs. The result was a truly excellent show, the only shame was it wasn’t longer.

The band’s new single No Regrets released the night before went down a treat with the audience adding to the group’s catchy catalogue.

Make sure to check out the band who are playing a number of North East dates over the next couple of months including a show with Dual Rouge on the 20th of April at The Globe in Newcastle.

Next up was the headliner The Black Rain, who were playing their first show at the rehearsal space, where they have honed their craft. The Bunker is a charming rehearsal space and venue in Sunderland, which is well worth checking out if you’re a local band from the area and haven’t somehow not already heard of it. The Black Rain are one of its numerous alumni so where better to get started.

The Black Rain in action live at The Bunker, Sunderland

To say this was their first gig is insane. The band seemed like a group who had gigged together for years delivering their set with energy and precision, which many groups take years to perfect.

The band’s post punk and goth sound is reminiscent of groups such as Joy Division, with baritone vocals and driving riffs. However, there is also a darker element to the group with a definite influence coming from the more heavier The Killing Joke creating a moody distorted atmosphere to the music.

Their set flew by with a whirlwind trip through the group’s excellent catalogue. Tracks, like “Dutch Dreams” highlighting the their ability to take their influences and make something new with them.

Make sure to check the band out on Instagram where they have some preview of some of their tracks.

Their set closed out an incredible night of live music, which traversed various genres, each delivered excellently. I look forward to seeing each one of these bands later down the line.

Yard Act & Gustaf @ Northumbria University – GIG REVIEW

Yard Act lit up Northumbria University on Sunday night (17/03/2024) with a performance that showcased why they are one of the UK’s hottest bands.

Across a 16 track set, the group showed just why they are building a reputation as one of the UK’s best live bands.

But first was support from New York’s Gustaf, who delivered a riveting set infused with post punk energy whipping up the crowd perfectly.

Gustaf supporting Yard Act @ Northumbria SU

The group brought the crowd with them across their excellent set at one point, allowing a lucky audience member to surf across the first few rows of the crowd, demonstrating the amazing reception they got from the room. Their driving bass riffs brought the energy warming the crowd up nicely for Yard Act.

After that it was time for Yard Act. The Leeds based group have built up an impressive catalogue across their two albums with 2022’s post-punk leaning debut “The Overload” and their recently released new album “Where’s My Utopia” bringing them much acclaim.

The group opened their set with “An Illusion” which also opens their sophomore album. The song illustrates the band’s development over the years showing a different side to their debut.

This was followed by “Dead Horse” from their debut album with its pulsating baselines and riffs which powered the crowd all evening.

“When The Laughter Stops” and “We Make Hits” followed, which saw the band embrace a theatrical element to their show with dance routines from the amazing Lauren Fitzpatrick and Daisy Smith adding an excellent element to the rest of the evening.

Many bands are happy to just turn up and play the hits (no pun intended) and whilst there is nothing wrong with this, it’s nice to see a band embrace something which is not the norm especially in the post punk/indie scene, making a welcome change.

Adding to the fun was EP roulette, which mixed in some variety show fun to the mix with a huge spinning wheel arriving on stage to pick the next track.

It also introduced the world to Huey, who unfortunately missed out on his chosen track, “Dark Days”. Instead, we got a rip-roaring rendition of “Fixer Upper”, a personal favourite (sorry Huey).

This sort of thing is what makes Yard Act’s shows so special bringing the audience along for the ride and building a connection with them whilst putting on an exciting and unpredictable live show.

“Fixer Upper” was followed by the fast-paced “Witness (Can I Get A?)” and new track “Down By The Stream” which showcases Smith’s impressive lyricism and eye for storytelling.

This is something which shines through throughout the live show, with his highly impressive delivery which could almost certainly give some rappers a run for their money with his impressive flow and adaptability to the ebbs and flows of the live show, which was a joy to behold.

I also wanted to give a shout-out to the impressive guitar work of Sam Shipstone who once again illustrated what a fantastic player he is throughout the show.

As the show reached its crescendo, it became evidently clear that Yard Act truly do “make hits” (sorry). The band ripped through “Dream Job”, “Payday” and “The Overload” showing just how their catalogue is only strengthening with each release.

The band then finished with the closer from their sophomore “A Vineyard for the North” to much applause and love from the crowd, which was recuperated by the group.

The magnificent “100% Endurance” opened the encore before Gustaf joined the band for a dance to “The Trench Coat Museum” which ended the evening on a high.

Overall, this was an excellent show by one of the UK’s finest bands with an excellent support slot from Gustaf. I eagerly await both band’s return to the North East.