Bringing dance grooves with a gothic edge, the latest Marq Electronica EP brings big beats and a lot of fun.
Beginning with Sick Puppy, the gothic grooves kick off the moment the needle drops, creating a horror-film-inspired vibe.
Creepy-sounding synths decorate the song’s strong groove, which manages to be both danceable and menacing.
The “all for nothing” hook recurs throughout the song, adding a beautiful melodic touch to the stunning groove.
Mr Nobody introduces rap influences with its trap inspired beat, which opens up nicely into a Nine Inch Nails-esque track, showcasing the production at its very best.
This leads perfectly into the EP’s final track, Monster’s Advice, which ironically feels like a monster rave, especially with its powerful grooves. Interwoven movie dialogue adds further depth to lyrics that hint at something more than the spooky theme they conjure.
The attention to detail running throughout the EP continues on this track, with a gorgeous synth flares drifting in and out of the song.
Overall, if you’re looking for electronic music with a gothic twist, this EP is definitely worth checking out.
Friday night saw The Ship Isis in Sunderland play host to a great night of live music as post-punk band House Proud and gothic group The Black Rain took to stage to showcase the genre at its very best.
The gorgeous venue was a perfect choice for the evening, offering a selection of great craft beers and a warm, friendly environment. I’d never been before, but I’d definitely return if I’m ever in Sunderland.
The night was opened by House Proud, who hail from all across the North East. Their blend of post punk and noise rock was excellent and really got the night started in the right way.
Their sound carried influences from post-punk groups like The Chats, Squid, and Shame, with angular riffs and an energetic tempo driving their performance. Each track stood out with careful composition, crafted from an array of different guitar pedals that brought a near studio-quality sound.
Their third song, Farmers Village, soon to be released as a single, had shades of post-punk titans IDLES to it and was a particular treat. Recent single Rescue Dog finished the set off in the right way, sounding a bit like South London’s Shame, but with an even heavier emphasis on riffs and gloriously loud noise.
House Proud – Live at The Ship Isis, Sunderland
I particularly enjoyed Perfect Body, which was more melodic in its approach while still delivering the massive, bombastic sound that dominated their set.
Overall, their performance was amazing, and they will definitely be a band which I will be keeping an eye on going forward.
I also wanted to leave a link to Wearside Women In Need, a domestic violence service the group were raising funds for on the night. They have recently lost their funding, so it’s a worthy cause if you can support it!
Next were The Black Rain, who I previously covered back in March at their gig at the Bunker, where they really impressed me with their gothic post-punk.
Friday was no different with the group putting in yet another excellent performance of starkly dark tracks. The group have been hard at work since March and that could be seen in their performance with various new songs in the set which continue to show why the band are so special.
Despite the stark nature of their sound, The Black Rain‘s set fizzed with energy, with the thumping drums and bass keeping the atmosphere lively.
The bass was particularly impressive, adding depth to the performance, while the guitar lines often served as beautifully intricate embellishments.
However, when the guitar did come to the fore, it was really impressive, often bringing an almost synth-like sound to certain tracks, which was a real treat. Shadows Cry showcased this best, amplifying the gothic feel, reminiscent of Joy Division’s Closer LP.
I also enjoyed the dark ’80s vibe of Regression, which really opens up in the chorus, creating a really nice feel. Glass Box brought a lot of energy leaning more on the side of punk rather than goth which I found really enjoyable.
Overall, both bands put in a fantastic performance, which led to a really enjoyable night showing the various different styles of post punk each performed at a really high standard. Make sure to check them both out!
Social Youth Cult deliver their most confident and assured set of singles with their new double A-side offering.
The EP begins with Black Lipstick, which introduces the running voicemail intro that connects both tracks together nicely on the double single.
Care has been taken to give the track a unique production. I particularly enjoyed the drum track, which sounded distant in the mix, giving the song a distinct feel.
Gothic guitars surround this in the mix, drenched in heavy reverb that echoes the early work of The Cure. Decorating all of this are the gorgeous vocals, which bring gravitas to the track and a haunting energy.
Overall, the track emphasises the gothic edge of the group’s music, with dark lyrics and a stark vibe reminiscent of groups like Siouxsie and the Banshees.
The second track, Different Language, buzzes with energy and an almost live style of production, bringing immediacy to the track.
It’s clear that across the two tracks, effort has been made to make the production stand out among their contemporaries. With its sparse yet raw feel, the group succeeds in crafting an intriguing sonic palette to complement their songwriting.
The strong vocal delivery continues in this track, with a touch of Nick Cave in the delivery, especially in the first verse. Lyrically, the track alludes to love turning sour, twisting this theme into a dark and moody vibe.
The guitar work on the track is incredible with a more aggressive approach which complements the overall feel well.
Overall, these latest two tracks from Social Youth Cult find the band continuing to mature and grow to excellent effect.
Memento Vivere sees Social Youth Cult set out their stall with 14 minutes of distorted gothic post punk.
Across five tracks, the group impresses with tight and well-thought-out songs, which have allowed them to build their name within the North East music scene. Opener Temporary Love sets the scene nicely, highlighting vocalist Shaun Greer’s baritone vocals, which combine nicely with the chorus laden guitar lines. By the time the song hits the chorus, Greer’s vocals hit full croon over a bed of beautifully distorted guitars.
The amazing resonant vocal style is something that continues across the EP, with Greer’s vocals, sounding like a twisted mix of Joy Division’s Ian Curtis and Morrissey (without the problematic connotations). This helps immediately set the dark and moody tone of the record.
You Do It To You has an almost wall-of-sound approach at times with guitars, drums, and bass forming a dark, ominous wall in the chorus. Leaving no decibel untouched, the track shows the band’s diversity and ability to set various different atmospheres with their instrumentation. The guitar solo on the track had echos of Joy Division with its starkness within the mix.
This gives way to Moonlight’s driving bass and guitar lines with verses that feel inspired by groups such as The Killing Joke. The track also features a gorgeous guitar solo illustrating the playing abilities of guitarist Holly Moore and adding a beautiful touch to Moonlight.
The opening of Hollow sees the guitar crash in over the bass line like a wave against a pier upping the energy of the EP. As the chorus hits, Greer bellows, “hollow me vacant you,” continuing the melachonic, heavy tone of the song.
Gone With The Beast concludes the EP by reflecting upon toxic masculinity. Greer’s vocals are almost chant-like in the chorus and continue to gain intensity as the track continues, bringing the EP to a passionate conclusion.
Overall, this debut EP from Social Youth Cult shows promising signs for the future, giving the listener all they could possibly want from a goth group with some excellent post-punk tinged tracks. It is clear why the group is gaining attention in the North East music scene and are very much ones to watch as they continue their musical journey.
Humbug North East 