The Black Rain & House Proud Bring A Night of Post-Punk Perfection to Sunderland’s The Ship Isis – Gig Review

Friday night saw The Ship Isis in Sunderland play host to a great night of live music as post-punk band House Proud and gothic group The Black Rain took to stage to showcase the genre at its very best.

The gorgeous venue was a perfect choice for the evening, offering a selection of great craft beers and a warm, friendly environment. I’d never been before, but I’d definitely return if I’m ever in Sunderland.

The night was opened by House Proud, who hail from all across the North East. Their blend of post punk and noise rock was excellent and really got the night started in the right way.

Their sound carried influences from post-punk groups like The Chats, Squid, and Shame, with angular riffs and an energetic tempo driving their performance. Each track stood out with careful composition, crafted from an array of different guitar pedals that brought a near studio-quality sound.

Their third song, Farmers Village, soon to be released as a single, had shades of post-punk titans IDLES to it and was a particular treat. Recent single Rescue Dog finished the set off in the right way, sounding a bit like South London’s Shame, but with an even heavier emphasis on riffs and gloriously loud noise.

House Proud – Live at The Ship Isis, Sunderland

I particularly enjoyed Perfect Body, which was more melodic in its approach while still delivering the massive, bombastic sound that dominated their set.

Overall, their performance was amazing, and they will definitely be a band which I will be keeping an eye on going forward.

I also wanted to leave a link to Wearside Women In Need, a domestic violence service the group were raising funds for on the night. They have recently lost their funding, so it’s a worthy cause if you can support it!

Next were The Black Rain, who I previously covered back in March at their gig at the Bunker, where they really impressed me with their gothic post-punk.

Friday was no different with the group putting in yet another excellent performance of starkly dark tracks. The group have been hard at work since March and that could be seen in their performance with various new songs in the set which continue to show why the band are so special.

Despite the stark nature of their sound, The Black Rain‘s set fizzed with energy, with the thumping drums and bass keeping the atmosphere lively.

The bass was particularly impressive, adding depth to the performance, while the guitar lines often served as beautifully intricate embellishments.

However, when the guitar did come to the fore, it was really impressive, often bringing an almost synth-like sound to certain tracks, which was a real treat. Shadows Cry showcased this best, amplifying the gothic feel, reminiscent of Joy Division’s Closer LP.

I also enjoyed the dark ’80s vibe of Regression, which really opens up in the chorus, creating a really nice feel. Glass Box brought a lot of energy leaning more on the side of punk rather than goth which I found really enjoyable.

Overall, both bands put in a fantastic performance, which led to a really enjoyable night showing the various different styles of post punk each performed at a really high standard. Make sure to check them both out!

Citizens of Yeah! Deliver a New Wave Masterpiece with “3 Little Piggies” – Single Review

Combining a range of New Wave and indie influences, Citizens of Yeah! have produced yet another great single in 3 Little Piggies.

From the intro alone, I can hear the influence of The Smiths and New Order, particularly in the the sound of the synth strings, which reminded me a lot of There Is A Light That Never Goes Out.

The string flourishes throughout give the track a strong New Wave feel, adding an extra edge to the overall production.

Paired with sharp guitars and intricately gorgeous bass lines, this is an absolute treat. I particularly enjoyed the guitars in the chorus which fizz with excitement, contributing to the multiple satisfying payoffs in the track.

Lyrically, the track is quite unique, using the concept of the three little piggies in Red Riding Hood as a metaphor for fear which I found inventive in just the right way.

I particularly enjoyed the breakdown at the end of the song, with a great back-and-forth between the backing vocals and the main vocal, which reminded me of early ’80s post punk especially when paired with stark guitar tones. Overall, I loved the track and can’t wait to see what Citizens of Yeah! come up with next.

Go On A Tranquil Escape with Parissa Zarifi’s New LP “Sing For My Soul” – Album Review

Parissa Zarifi’s new album is a beautifully tranquil experience, seamlessly blending elements of folk and alternative music with remarkable results.

Beginning with Free of You, you are immediately ushered into a world of beautiful strings and twinkling guitars. This single provides an early glimpse of the collaboration between Zarifi and guitarist Rob Harvey, who features on several tracks throughout the album.

His guitar work pairs perfectly with Zarifi’s beautiful songwriting, adding an extra layer to the strong folk vibes that the track exudes. At times, it even evokes the feel of Fleetwood Mac’s folkier moments, with the classic rock guitar complementing nicely with the folk aesthetic.

Kings & Queens is rich with violins, bringing an almost medieval feel to proceedings. I could easily imagine it playing during a banquet scene in Game of Thrones, with its lush string arrangements.

This helps to build the peaceful and chill atmosphere of the album, which is masterfully put together with thought given to both the track structure and sequencing. I particularly enjoyed the ethereal choir on this song, which added depth to the production, creating a full-bodied sound where all the elements interact harmoniously.

Find Yourself In The Dark has a similar feel with gorgeous songwriting, especially in the chorus, which felt almost Kate Bush-esque with its dramatic swells of violins and timeless quality.

The next track, Slow, is blessed with beautiful twinkling guitars and harps, which allow you to sink into the song with their serene nature. The beautiful string section solo was also a gorgeous touch, enhancing further the stylish nature of the song.

The ethereal backdrop continues on To Be Free, where Zarifi’s stunning performance truly shines, particularly in the chorus, where her voice rises above the delicate string arrangements.

The performances across the album are strong, whether it be Harvey’s excellent guitar playing or the amazing vocal and string performances. Each contribute significantly to the album’s atmospheric mood.

The reverb-laden guitar passages in Written In The Sand contribute something slightly different to the rest of the album, without disrupting the overall style and production. Meanwhile, the classic songwriting of Don’t Look Back helps create a defiant mood, mirrored by the lyrics’ focus on moving forward as a form of healing.

Entwined In The Heat stands out with its beautifully layered guitar passages across a solid acoustic base. When the violins enter and the track intensifies, it reaches new heights with some spectacular performances.

The Stars Align yet again shows the really strong songwriting which Zarifi brings to this LP with an absolutely amazing chorus. The album concludes perfectly with Sing For My Soul, a track that encapsulates what makes this album so special, featuring beautiful string sections and impressive guiar work.

Overall, if you love your alternative folk then this is a must listen however I would also recommended it to anyone who wants to switch off and get lost in a really great album with a fantastic mood.

Simon Taylor Brings Geordie Grooves On Funky New Single “The Theatre of Broken Souls” – Single Review

Have you ever wondered what Lou Reed would sound like if he grew up in the North East of England?

Probably not, but if you have, then Simon Taylor’s new single is the perfect listen.

Combining influences such as Leonard Cohen and the aforementioned Lou Reed, Taylor has been building his reputation around the North East scene, and this latest record is sure to elevate it even further.

I can particularly hear the influence of Transformer-era Lou Reed within the track with its fun, funky guitar passages and tongue-in-cheek lyrics about working at a music venue.

The melodies are strong and stick with you for days, which is a testament to the great songwriting on display.

The North East, and Newcastle in particular, runs throughout the song, deepening the personal nature of the lyrics and bringing a unique voice to the track, crafting a great bit of Geordie funk.

Overall, this is a fantastic teaser track and a really fun listen. I can’t wait to see what Simon comes up with next.

J.P Riggall’s “The Cabin Session EP”: A Soulful Journey Through Stripped-Back Folk – EP Review

J.P. Riggall’s new live EP showcases the folk singer’s powerful songwriting ability with a striking collection of atmospheric tracks.

The EP opens with Cold Cold Mountain, a song that sets the tone with its chilled production, placing the emphasis firmly on the performance.

Riggall’s North East accent pierces through the folk vibe of the track, providing authenticity to the passionate delivery of the track.

Overall, the track is a heartfelt tune, demonstrating Riggall’s talent as both a songwriter and a live performer. The stripped-back arrangement highlights his focus on emotion.

This theme continues We’ve Already Seen Him Dead, where stark acoustics and melodic leanings take centre stage. The slight echo provided by the venue adds nuance to Riggall’s voice, enhancing the powerful and beautiful performance.

Through this power, Riggall amplifies the already strong songwriting, squeezing every inch of emotion out of the song. The result is a moving performance of an outstanding track.

The EP closes with My Lovely Bones, a gorgeously touching tune. Once again, Riggall achieves a lot with a little – just an acoustic guitar and his voice, creating a captivating atmosphere. The emotion is palpable, bleeding through the soundwaves as Riggall delivers yet another great performance.

The track itself is wonderfully constructed, with a melodic core and a heart-wrenching chorus. It’s a beautiful way to conclude a stunning live EP.

Boy Found Sound Delivers Americana-Tinged Indie Pop Brilliance on ‘Ultraviolet- Single Review

Boy Found Sound’s latest single is a touching indie pop ode, featuring gorgeous production and well-constructed songwriting.

The track sets off like a runaway train, bringing with a nice Americana feel reminiscent of the likes of Bruce Springsteen and The War on Drugs, with its combination of acoustic guitar with beautifully reverbed riffs layered on top.

With the mood set, Boy Found Sound is free to write touching verses about a girl with ultraviolet eyes, over the top of this musical bed.

Musically, the track acts like a continuous train of thought, with no let-up throughout the tune and only subtle changes in tempo between the verse and the chorus.

This momentum only pauses for an amazing guitar solo, which reminded me a lot of Sam Fender with its reverb-heavy distortion and brilliant technicality.

Overall, this is a great song that has been meticulously put together. If you’re a fan of Sam Fender, then this is for you!

Electric Circus Strikes Hard with Their Latest Anthem, ‘War Crimes’ – Single Review

Electric Circus’s new single goes hard. With its massive production and hard rock riffs, the single comes together as a thoroughly satisfying package.

From the outset, you’re greeted with a punch of distortion, with guitar lines layered on top of each other, each contributing to the cacophony of noise the band is creating.

These are joined in the mix by a thumping drum track, adding even more power to the track, building the hype before the vocals kick in.

Lyrically, the song addresses the current societal decline that the Western world is experiencing, with references to the Doomsday Clock amongst other pointed commentary the band makes.

This unfolds over an ever-steady blend of riffs that complement the track’s thematic focus.

The overall effect is reminiscent of rock titans like Queens of the Stone Age and Foo Fighters, with a nod to heavier groups such as Bring Me the Horizon.

The expertly executed breakdown towards the end of the track particularly brought to mind some of those heavier groups, sounding primed for a live setting.

Overall, this is a great rock track that skilfully combines a variety of influences. If you like your riffs hard, then you’ll love this single.

J.W. Darwin Delivers a Gorgeous Indie Pop Anthem with ‘Jenny Moves Slow’ – SINGLE REVIEW

J.W. Darwin’s first solo release sees the Middlesbrough singer combine catchy melodies with a gorgeous sonic palette to produce a stunning indie pop single.

Beginning with a gorgeously rich textured synth line that fills the sonic canvas, Darwin builds an atmosphere that showcases his heart-on-sleeve approach to songwriting.

The result is a hearty dose of indie pop reminiscent of singer songwriters such as Hozier. The big pop chorus feels earned by the careful preparation that Darwin takes to build the tension within the verses, fulfilling the melodic potential of the track.

Attention has been paid to ensure the songwriting keeps you on your toes, with a tempo shift in the second verse accompanied by a bright guitar line dancing throughout.

Overall, the catchy melodies and smart production make this a great track to check out.

Club Paradise Teases New EP with Summer Anthems ‘Years’ and ‘Chasing the Summer’ – SINGLE REVIEW

Club Paradise have started the countdown to their new EP by releasing two great teaser tracks to whet the appetite before their October release.

The first of the two tracks, Years, starts with a bold guitar solo, which glides over a bright synth line.

The verses to the track builds the tension with reverby guitar swells intersecting a driving rhythm section which gains pace as it continues.

The chorus twinkles with a sparkly synth line driving the catchy eighties-inspired melody. It is here that you can hear the influence of bands like The 1975, as well as a range of other indie pop groups.

The song has a smart pop sense and a glittery production; but, it also knows how to deliver a punch with the crunchy guitar solos and dark lyrics, which contrast the light production.

Previous single, Chasing the Summer, has lofty ambitions, beginning with a huge intro featuring a big guitar solo and thumping drums.

The vocals immediately hit you and are delivered with passion and energy. These are joined by backing vocals in the verses, which once again reminded me a lot of The 1975.

The chorus is huge, with guitar lines which go hard over a thumping beat. Overall, the track is the epitome of an anthem with huge guitars and catchy melodies.

Together, these tracks do a great job of wetting the appetite for the upcoming EP, which arrives in October.

Big Romance’s New Single, ‘Self Medicate’ Blends Genres Beautifully – SINGLE REVIEW

Big Romance’s latest single “Self Medicate” shows their ability to mix genres to excellent effect, blending shoegaze, indie and post-punk together in a rewarding mixing pot of gorgeous production and great songwriting.

Opening with a reverb-heavy 90s feeling introduction, I was immediately reminded of the Siamese Dream era Smashing Pumpkins with its dreamy production and vocals.

This is quickly interrupted by a laid back verse with a real slacker vibe, fitting well into the established vibe of the track.

The pre-chorus shifts gears as the distantly distorted guitar stalks the vocal melody with fuzzy distortion and precision.

Eventually, the tracks anticipation pays off, unveiling a twinkling guitar solo that reminded me of dream pop bands such as NewDad.

The spacious nature of the production throughout illustrates the band’s love of shoegaze whilst highlighting their focused songwriting.

The introspective lyrical approach that the track takes examines coping mechanisms and relationships with sharp lyrical quality.

When the chorus hits, it hits hard. I can hear the influence of Slowdive in the production through the heavenly feel brought by the backing vocals, and the swirling guitars drenched in distortion and reverb.

A crunching guitar solo fires through the crescendo of the track, adding an appropriate ending to the song, before its distortion blends into the mix, allowing the song to sail off into the sunset.

Overall, the song combines the best bits from various subsections of indie music, making it easy to get on board with production you can sink into and sharp songwriting.